“Radio Jane” gives a modern “The Video killed the Radio Star” vibe, while “Broken Cup” has a much more low-toned, slow-paced feel, putting a front seat on Collier’s vocals. The album concludes with the title track, “Idaho,” a song that perfectly encapsulates the feeling of seasonal depression—those long, cold nights where you can’t leave your home and the sense of isolation that often accompanies the winter months. King Ropes paints a beautifully accurate picture that sometimes our homes can be complex, but they will always be home.
“Idaho” is somewhat a love letter to the band’s home—yet clearly pointing out the problematic reality. Hollier calls Montana “unforgiving.” At the same time, he believes that his hometown is a huge part of their band: “It’s important to me that we’re from Montana. It’s not much of a stretch to say this place has made us who we are. Montana is an incredibly beautiful place, but it’s also harsh and unforgiving… There can be violence and poverty and substance abuse just like anywhere else, and the natural beauty of the place might make that harder to see. I think we’re getting better at reflecting both sides of that in the music we’re making.”
“Idaho” is available on all major music streaming platforms.
