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“You” by Sarah Orton is a sultry, groovy track full of unexpected turns. A rhythmic departure from the often shoe-gazey, soft fabric of indie pop

“Do You Believe” by Lilith Max is a versatile track with a haunting performance. With its use of swung acoustic guitar and legato strings, it

“Symptoms” by Katie Belle is a devilishly clever metaphor for infatuation set against a backdrop of crisp instrumentation, delicate vocals, and infectious arrangement. With a

“Awol” by Rob Roth is one of the catchiest pieces of pop music you’ll hear. Its rhythmic integrity and elegant, intuitive writing style create their

“Body After Body” by Ellie Madeland is an ethereal, dramatic dream pop track imbued equal parts passion as skill. If the impressive, unique vocals don’t

“I Should’ve Danced More” by Elina is gloriously reflective. With sweet, delicate vocals and subtle instrumentation, the performance and production ooze vulnerability—but in combination with

“Flatline” by Vince Spano is the high-energy pop-rock song of your dreams. Defined by raspy, emotive vocals and heavy instrumentation, this song makes an incredible

“karma.” by thankmelater. is a gritty fusion between trap sensibilities and rock songwriting—which can sound like a daunting sound—but just wait until you hear it.

“I’m Not Okay” by Bluhm is one of those ethereal indie rock songs with not only brilliant writing but an immersive, dreamy atmosphere that’ll leave

“Footprints On The Floor” by The Wildwoods is one of those recordings which captures the beauty of live music with intimate, sweet, vivid accuracy. You