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“Orpheus” by LETI is a spacey, keyboard-based pop track with an elegant set of chords. It feels classic, bluesy, modern, and experimental all at once.

“One Track Mind” by Michael Barrow & The Tourists is an anthemic indie rock track full of beautiful chord choices and dramatic, effective dynamics. Not

“Third Eye” by Lewis Knaggs is an absolutely transcendent soft rock track. Based upon a strong foundation of bass, acoustic guitar, drums, and decadent background

“Glitter with a Vengeance” by NYRE is a melancholy pop-rock song full of beautifully cultivated synth sounds and genre-bending instrumentation. As you float through the

“Past Lovers” by Eric Tano is truly a feat of production and songwriting. With its billowing layers of distortion and autotune, this track feels like

“More Than A Friend” by Vanda is a brilliantly produced, vibrantly performed, wildly well-written pop song. It’s hard to pick a favorite moment—you’ll get whiplash

“WGYTAU?” by KANITHA is a slow, emotional outpouring of lyricism. As each bittersweet chord passes by, KANITHA’s soft yet powerful performance lays a foundation for

“Bright Side” by MKX is simply the epitome of energy. With each crisp electronic drum hit or clever, relatable lyric, this track blossoms into a

The Freight brings us a fresh cover of Gwen Stefani’s “Cool,” the 2005 pop anthem about staying in touch (more or less) with a past

“Alligator” by Løve Outlier is a 90s-inspired acoustic ballad full of climactic builds and idiosyncratic, impressive vocals. While its various, texturally distinct instruments hold down